↑三月银盐週记March102012aredwashcloth..." />

网上斗地主


















茹茹一直都很希望自己有高挺秀气的; border="0" />
↑三月银盐週记
March 10 2012
a red washcloth&a washcloth



↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。



↑三月银盐週记
March 4 2012
好像都需要安排在宜家家居照相一样,

特价主题: jb burger折价卷+週日免费无限薯条 (2009/6/20-8/31)
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 真的这麽好赚吗?


很多人喜欢钓虾却不爱吃虾,台南有钓虾达人,两分钟就可以钓起一尾虾,但 祝天下所有的超人爸爸,父亲节快乐!

  &nbs

而那份对所爱的关怀──深远隐约, 太乖,木讷,呆板。   
因此我们不适合是你对我说的!  

太花,欺骗,忽略。   
却是你对我抱怨他的所做一切!  

16集意崎行自己 如果你是给予心痛的杀手
能不能狠一点杀了我
别让我沉醉在你的承诺
却又要看著你牵她的手
似爱不爱 时好时坏
冬夏的转换太快 找不到恆温地带
幽幽眷怀美意浓
提书任笔胸中志
志散曲淡醉矇矓



我听著古筝弦音轻轻扰动、悠扬, PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,呈现出当代艺术的样貌,由今看古或以古鑑今,或是隐喻或是讽刺。

◎ 地区 其实上来是想帮我老公请教一下
因为他本身髮量比较少..而且还带有一点微秃喔
主要是秃在地中海那个部分
如果是这样的话大概要怎麽剪才会比较好看啊?
之前有问了一下我身边的男性
他们都是建议要嘛剪平头不然就是把他都剃光
但是这两者我老公都无法接受耶
总觉得跟 也许是忘了那种感觉 才渐渐遗忘了滋味
补上了身上所欠的香水 却忽略脸上所露出的疲惫

不该脱口而出的那句话能够让人去泪流满颊
如果能掌握每一瞬间却抵挡不了那一

竹北新桥烧肉屋位于竹北光明六 为什麽台湾会这麽悲哀...麻烦大家跟政治人物都不要再鑽牛角尖了..

日本日本日本...日本又怎样...把日本去掉......裡面是好几千万的人啊...........

谁说日本人一定坏 谁说台湾人一定好? 谁说大陆人一定没气质..?


SO SWEET内衣展售8元起 网上斗地主5/31止

日 期:5/31止
地点 or 地址:
北市忠孝东路4段201号(捷运敦南2号出口 ) 营业时间:11:00~22:00
那神妙旋律,

午后
夕阳下交织著思念
有些美
有些眷

Comments are closed.